2008
Nice Bombs showing at New Filmmakers screening series
Anthology on Wed Sept 10th @ 8:30PM
On March 2008 NICE BOMBS will have its Broadcast Premiere on
2007
NICE BOMBS PLAYING AT THE MILWAUKEE INTERNATIONAL FILM FESTIVAL -Saturday, September 29th 5:00pm
past screenings
NICE BOMBS PLAYING AT THE SANTA FE FILM CENTER
SANTA FE FILM CENTER-NEW MEXICO (Fri-Sun 8/24-8/26 7:45 pm)
THE PIONEER THEATER- NEW YORK CITY (July 11-21)
THE GENE SISKEL FILM CENTER- CHICAGO July 11 (8:30) & July 16 (8:15)
Seventh Art Releasing picks up Artvamp and Benzfilm Group Production
NICE BOMBS for distribution.
Pics from our World Premiere at the 13th Annual Chicago Underground Film Festival
at the Music Box Theater August 17, 2006
Sponored by the Playboy Foundation with Christie Hefner and Studs Terkel
Press on NICE BOMBS:
New York Sun
"Loaded with candid conversations and opinions about the hot-button issues of war, terrorism, and Islamic extremism,'Nice Bombs' offers many different Iraqi and American points of view and portrays a time and place of nightmarish complexity."- Bruce Bennett, NEW YORK SUN (read more)
PopMatters
"I was born in Iraq," says Usama Alshaibi, "and was recently sworn in as a citizen of the nation that was now attacking it." At the start of his documentary, Nice Bombs, it's March 2003, and Alshaibi is safe in Amsterdam, honeymooning with his new wife Kristie. On TV, protests against the war are loud and numerous, followed by the seemingly unavoidable invasion. Within weeks, when Usama and Kristie are back home in Chicago, the Saddam Hussein statue falls and looting commences. Alshaibi observes, "I had a feeling that the news I read and saw was not telling me the full story."-by Cynthia Fuchs, PopMatters, July 18 2007 (read more)
2006
Time Out Chicago
When Studs Terkel urges you to do something, you do it. "He sort of put me on the spot," recalls Usama Alshaibi, who was working at the Chicago History Museum as a sound engineer when his project sparked Terkel's interest. It was January 2004 when the legendary author and historian came into Alshaibi's office and asked about his family in Baghdad. Alshaibi replied, "Well, I have this idea about going to Iraq and interviewing my family...." And that's what set Terkel off. "He said, 'You have to go!' " Alshaibi says. "He pulled out his checkbook and gave me my first donation. -Jason Mojica, Time Out Chicago August 10, 2006 (read more)
Alshaibi does something so simple yet, sadly, so neglected: He lets a Western audience see Iraqis not as crazed Middle Easterners shouting and shooting (and dying) en masse, but as individuals going about their daily lives--shopping, listening to the radio, hanging out. Those shared-humanity moments make all the more compelling the postscript phone call, in which Tareef tells Alshaibi that, since his visit, Iraq has gone from tolerably bad to almost irredeemably worse.--Time Out Chicago, Novid Parsi August 2006
Critics Choice, Chicago Reader
"Chicago filmmaker Usama Alshaibi grew up in Iraq and the U.S., and although he recently became an American citizen, his personal video documentary has plenty to say about the day-to-day existence of his Baghdad relatives, whom he visited in 2004. Distance tends to simplify our view of anything, and this video humanizes the situation on the ground mostly by complicating it: in a voice-over Alshaibi says he's often asked what ""the Iraqis" think, but by the end this question has become as meaningless as asking what "the Americans" think. Much of his previous work has been experimental, but this becomes formally adventurous only near the end, as he converses by phone with a cousin who tells him how much worse the situation has grown this year." 92 min.-Jonathan Rosenbaum, Chicago Reader.
Movie review by Michael Phillips
"In early 2004 Chicago filmmaker Usama Alshaibi returned to his native Iraq with his wife, producer Kristie Alshaibi, and his camera. He had been away for nearly a quarter-century. The result is a surprisingly warm first-person video diary, blending a series of reunions with Alshaibi's vast array of relatives and footage of the bazaars, streets, homes and everyday perils of life in post-Saddam, mid-occupation and mid-chaos Iraq."-(read more)-Michael Phillips, Chicago Tribune
May 2005
NICE BOMBS has received a generous grant from the Creative Capital Arts Foundation and wins Tribeca All Access Creative Promise Award for Documentary Feature - Sponsored by The Playboy Foundation. The award was presented by Rosie Perez and Chris Napolitano, Editorial Director of Playboy Magazine. The Benzfilm and my producer/wife was with me.
December 2004
Listen to my interview with Steve Edwards on Chicago Public Radio's 848 program